Help Ken Burns Chronicle the Parks
In the fall of 2009 PBS will air The National Parks, a major
documentary film series produced and directed by Ken Burns and written
and produced by Dayton Duncan.
But now they are
asking for your help. Their film series is not a travelogue or a
“nature” film; it will tell the very powerful, human story of how the
parks came into being and what they have meant to Americans for more
than a hundred years. It will be filled with major historical figures
— from John Muir to Theodore Roosevelt to Ansel Adams — but it will
also tell the stories of many lesser-known Americans, from cowboys to
immigrant artists, wealthy philanthropists to dirt-poor farmers who
turned their passion for a part of the American landscape into
crusades for their permanent protection.
And as it tells the story of
this very uniquely American, very democratic idea of setting aside
special places for the benefit and enjoyment of everyone, it will
reveal a larger story of people passing on a love for these special
places from one generation to another.
To help them tell
this story, they would like to collect home movies of visits to
National Parks by families and individuals for possible use in the
film. They are looking for home movies from the time period of the 1920s through the 1980s and are most interested in footage of families and tourists in the parks.
If your home movies are used in The
National Parks, you will receive a DVD of the series. If you happen to
have footage of the Yosemite firefall and it is included in the
series, you will receive the DVD, plus your choice of one other Ken
Burns film. If you have home movies you would like to submit,
please follow the criteria listed below.
* Home
movies from the 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s.
* They are most interested in families and tourists in the national parks, not scenery without people.
* Do not send original footage:
VHS or DVD copies only, please. THE MATERIAL WILL NOT BE
RETURNED.
* Clearly mark the tape or disc with your name, address,
phone number and e-mail (if available), so they can contact you if
your footage is selected.
* Include a brief description,
e.g., the Smith family, George and Martha, Bill and Sally, in Grand
Canyon, 1955.
* Send to the address below by August 1,
2007:
Anne Harrington
WETA
2775
S. Quincy Street
Arlington, VA 22206







Comments
Linda Schmidt (not verified)
Jamie Desmond (not verified)
John Correia (not verified)
I have 8mm film of our family's trip to Yosemite National Park in the Summer of 1954. What's intersting about this film is that while we were there Lucille Ball and Desi Arnaz and crew were filming scenes form their 1954 movie the Long Trailer. You can clearly see Lucy in this film (from a distance) you can't miss her red hair. Although only a few minutes of footage it was one of the highpoints of our vacation at Yosemite and one I always remember whenever the Long Trailer is on TV. My father shot lots of film at Yosemite and the beauty of Half Dome, Yosemite Falls, the Mercer River are all captured on film. I also have film of our family vacation to Seqouia National Park in 1955. Many scenes of the giant trees (the General Sherman) and other scenes. Scenes of bears (fairly close) and people feeding a buck (four-pointer) from their hands. Lots of great stuff. Lots of footage of our family also (this trip was 3 families of relatives, 11 kids ages 5 to 13, 7 adults, including grandma). Is it too late to submit some of this film for consideration in Ken Burns upcoming documentary?
John Correia
9441 Winding River Way
Elk Grove, CA.
Kurt Repanshek
John,
Sounds like you have some great footage. While the deadline was last August, you might try to contact the folks at WETA in Arlington, Virginia.
Good luck!
Sander (not verified)
In Northern New Mexico and Southern Colorado, many old Hispano families claim their land grants were stolen and are now managed by the National Parks System. Will your documentary cover this? Latinos say you have a blind-spot to their history in this country. This seems like a good opportunity to make up for it.
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