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Photography In The National Parks: Made For Monochrome

Color photographs are the mainstay of the national park traveler, but black and white has its role in the parks, too.

Photography In The National Parks: To The Sun And Beyond In Glacier National Park

Of course I wanted to go to the Sun in Glacier National Park - the very idea of capturing everything between earth and sky, with my camera and lens, filled me with the same visions that I experienced as a child, when walking into a candy store to choose just one piece of chocolate. I wanted them all.

Photography In The National Parks: Scale, Perspective And Connection

What's the deal with scale and perspective when you're taking photographs in the national parks? It's all about placing things in their proper context...or the context you want to reflect.

Photography In The National Parks: Get Intimate With Your Camera

Every now and then, you should get intimate with your camera in a national park.

Photography In The National Parks: A Winter Watching Wolves In Yellowstone National Park

I woke up one morning thinking about wolves and realized that wolf packs function as families. Everyone has a role, and if you act within the parameters of your role, the whole pack succeeds, and when that falls apart, so does the pack. -- Jodi Picoult

Photography In The National Parks: Use Your Telephoto Lens For Those Park Landscapes

Using a telephoto lens for a national park landscape sounds kind of odd, right? Most people think of a telephoto or zoom-telephoto lens as good for wildlife and sports images, not landscapes, per se. But it's time to rethink that.

Photography In The National Parks: Capturing Moonbows In Yosemite National Park

During the full moons in April, May and June, nighttime visitors to Yosemite National Park, photographers in particular, get an extra special treat when the moonlight refracts and reflects off of the spray of water in Upper and Lower Yosemite Falls - it is called a moonbow, or spray bow, as John Muir liked to call it.

Photography In The National Parks: A Cloudy Day In The Park Can Be A Photographer’s Dream…With The Right Filters

Your national park photographs don't need to suffer just because the sky overhead is cloudy or overcast. You simply work with what you have.

Photography In The National Parks: Being Ready To Point And Shoot With A DSLR

The coyote was coming down the road towards the Lamar Canyon bridge, straight at me. I wheeled into the pullout, angled the car just right, rolled down the window, grabbed the bean bag, plopped it over the door frame, grabbed the Nikon D600 with the borrowed 500mm lens and placed it atop the bean bag. Flipped on the camera, aimed and - nothing.

Photography In The National Parks: Sunrises, Sunsets And Silky Waters

Sunrises, sunsets, and silky waters. We all strive to capture those images during our tours of the national parks, but what are the keys we need to focus on to succeed?

Photography In The National Parks: Capturing The Moods Of Mount Rainier National Park

Mount Rainier is known for its subalpine meadows filled with bright, colorful wildflowers in late July to mid-September, depending on the year, but photographing the mountain in its many moods requires spending time on it throughout the year.

Take A Look At These National Park Photographers

Images taken in the national parks not only convey beautiful landscapes, but can carry wonderful memories down through the years. Here are some of the photographers who have built wonderful, and inspiring, portfolios in the parks.

Photography In The National Parks: It's Not Always About The Camera, But It Is Always About The Photographer

Having a top-end camera can help you take great photographs in the national parks, but the bottom-line is that you have to pay attention to how you're wielding whichever camera is in your hands at the time.

Photography In The National Parks: Reading The Book Of Nature

National parks are a great place to experience wildlife in their natural element, and to photograph them. But at times the plight of nature can generate pangs of helplessness, as nature photographer Deby Dixon realized in Yellowstone and Grand Teton national parks.